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Jenő Janovics tried to take advantage of his business and experience in many ways in that completely changed cinematic world sound film, the popularity of imported films and in the fluctuating historical context the Kingdom of Romania, then the horticultural period. For more of these movies you can log on to .

From the correspondence studied by Zágoni Bálint, it appears that it was maintained in the respective years from the revenues from the Egyetemi Mozgó cinema and from the film distribution, but there are also references to the activity of renting silent films or selling screen rights for literary works, trying he also requests through addresses both the Romanian and later Hungarian parties, the re-establishment of a film production center in Cluj. In the following, we will briefly present these measures taken in relation to film production, which allow us to have a unique vision of the possibilities and restrictions of 1920-1945.

Film management

There are numerous texts that indicate that Jenő Janovics has run several cinemas throughout Transylvania between the two World Wars, of which only the cinemas Egyetemi Mozgó (Arta), Urania and Apollo remain. Cinematographs Urania and Apollo rarely appear in his correspondence, but he often refers to Egyetemi Mozgó, which is mentioned, from the beginning of the 1930s, under the name of Select Mozgó (then, between 1940-1944, they return to the name of Egyetemi Mozgó ). This is also mentioned in the letters that Janovics rented the Egyetemi or Select Mozgó cinema space from Sebestyén Dávid’s widow, from 1918 to 1944. In 1944, the new Romanian authorities withdrew his license, which was his only income, as shown in the letters.

Janovics, who claimed his actions in the cinema, formulated the history of the cinema as follows: “I founded the Select mozgó cinema, under the name Egyetemi mozgó, 32 years ago, and I opened it on October 30, 1913. I concluded the lease with the owner of the house on September 23, 1918, which was in force until March 31, 1944. In 1920, I transformed my one-person company into a joint-stock company, under the name of Transsylvania, all the shares remaining in my possession and my family.

Until 1940, Transsylvania RT owned and licensed the Egyetem (Select) mozgó cinema. According to the Vienna Dictatorship, the Hungarian authorities lifted the film license of the Transsylvania Company, assigning it to my wife Poór Lili, by 50%, but all the equipment, apparatus, etc. they remained in the possession of Transsylvania RT. And after the official measures adopted after the Vienna Dictate have lost their validity, it is clear that the legal situation is restored before 1940 and so, and the cinema concession is again given to Transsylvania, whose majority shareholder I am until today. from today, son in law, the concession must repress it.

I need the concession of the Select mozgó cinema to ensure my smooth existence. If I obtain it, I will be at the disposal of the Romanian film propaganda, with encouragement and without requesting any remuneration for this. Despite the fact that in his letter he stated that he is willing to submit to the collectivization of the company if the regime wishes, his request is not granted, but he is allocated a small percentage of ticket sales for the rent of cinema equipment. The operation of Transsylvania RT was not completely hampered by this incident, as in April 1945, it was requested to distribute Hungarian artistic films in Romania. People of the mountain, Passion, Swamp flowers, The new relative, My daughter is not so, Three kites, The borrowed castle.